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“... is this ensemble, stretching across a millennium and round thousands of miles of coastline, that Richard Fletcher has taken as his subject in The Conversion of Europe. What concerns him is not the conversion of this or that people but all medieval conversions (including conversions between Christianity and its two rival monotheisms, Judaism and ...”

“... By far the most striking image of Richard II is the one found in the great portrait of him, crowned and enthroned, which still survives in Westminster Abbey. Painted in the 1390s, when the king was in his twenties, it gives him a slightly boyish, even feminine appearance, with red cheeks, full lips and a small goatee beard ...”

“... totally new felicities as well as confirming old ones. But let us raise the hat again to Charles Fletcher who, the 1953 Preface tells us, supplied the first, 1941, book with all its selections from Shakespeare, Milton, Pope, Tennyson and Dryden. Of course the quarter-century gap between the second and third editions has brought in new names. Four hundred and ...”

“... performed Eclairs sur l’ audelá. The most interesting of the single-work chapters is by Richard Steinitz on Des canyons aux étoiles, possibly because the author’s enthusiasm is tempered by doubts about the work’s total impact. ‘One has to accept,’ Steinitz says, ‘that the nature of his faith reduces the possibilities of dramatic ...”

“... possess a kind of social realism absent from the work of Webster, Ford, Massinger, or Beaumont and Fletcher. In their treatment of social mobility and ambition, women and marriage, and in their ethical and religious overtones, they reflect the values of the City and Country as opposed to the Court party. Puritanism and Theatre has been published as a volume in ...”

“... 20-year-old actor Gabriel Spencer instead of being killed by him), but Thomas Middleton and John Fletcher both died in their mid-forties, Francis Beaumont at thirty, while Henry Porter (whose Two Angry Women of Abingdon influenced The Merry Wives of Windsor) may have been still younger when he was killed in a duel by John Day, another playwright, in ...”

“... and drew support from the other players in this drama: the Imagists – H.D. (Hilda Doolittle), Richard Aldington, T.E. Hulme, F.S. Flint, John Gould Fletcher, Amy Lowell – as well as scores more who had a stake in the continuing vitality of literature, including Yeats, Lawrence, Ford Madox Ford, Wyndham Lewis and Henri ...”

“... poets: Robert Herrick, who advised us to gather ye rosebuds while we may, and Richard Lovelace, the stone walls of whose incarceration by Parliament did not a prison make. But what is Stubbs’s account of Milton, the spokesman for regicide, doing in the book? Why do we tour the agonised mind of the Scottish Calvinist Sir Archibald ...”

“... will to literature received its fullest critical acknowledgment in the period between Richard Ellmann’s 1959 biography of Joyce and Hugh Kenner’s The Pound Era (1971). Kenner’s book, based in part on interviews with Pound, presents itself as a parting glimpse of an age of demi-gods. It marvellously exhibits, by a vivid survey of ...”

“... assumptions that Shakespeare’s world was much like our own, Shapiro quotes the sonneteer Giles Fletcher, who wrote in 1593 that ‘A man may write of love, and not be in love, as well as of husbandry, and not go to the plough, or of witches and be none.’ ‘If Giles Fletcher could compose sonnets to “try” his ...”

“... urged a diet containing three pounds of meat a day), masticatory (retired businessman Horace Fletcher recommended 50 chews per mouthful of food and set a fashion for ‘munching parties’), or horticultural (a Twenties book on the supposed virtues of yoghurt was called Intestinal Gardening for the Prolongation of Youth). In the same humorous vein, which ...”

“... replica was christened ‘Shakespeare’s Globe’. The possessive might have surprised Richard and Cuthbert Burbage, who between them owned half the Globe, whereas Shakespeare’s portion amounted to a tenth; but that stake was enough to make him a member of the ‘housekeepers’ whose investments set them apart from the mere ‘sharers’ in the ...”

“... its bibliophile vice-president, Gordon Ray) acquired the literary correspondence of the publisher Richard Bentley and Sons, principal purveyor of the three-decker novel to the Victorian reading public. At the same time, the British Library (with financial assistance from the Friends of National Libraries) took possession of most of Bentley’s ledgers and ...”

“... that ‘there existed no picture of central politics to be treated in this manner.’ Like Anthony Fletcher, writing on The Outbreak of the English Civil War, he has been forced to tell the story ab initio. In the process, he has highlighted, even more than workers on the period before the Civil War have done, the fact that the great Victorian narratives are ...”

“... to read and hear almost every message that passes between us. In his new history of GCHQ Richard Aldrich claims that this surveillance capability constitutes potentially ‘the most insidious threat to personal liberty’ we face today. Bentham’s panopticon was a fiction. The Victorians who came after him would never have permitted anything like ...”